Showing posts with label ebooks. Show all posts
Showing posts with label ebooks. Show all posts

Thursday, 1 March 2012

10 Thoughts For World Book Day

Today is World Book Day. I thought I'd take this as a moment to make some observations on what those words mean to me. Some are questions, some are just thoughts. And there's the odd recommendation

1. There are people in the world who do not and never will have access to a book, and certainly not to technology capable of reading or writing ebooks. Remember that when you think of a technology or a book being "for everybody." And remember that many who will never see a book may have a richer storytelling life than us.

2. What is a book? I have often siad that as a writer I don't write books, I tell stories.

3. We talk a lot about how ebooks are revolutionisng everything from publishing to the way we make marmite, it seems. But we are also seeing a rebirth in high quality handmade books go hand in hand with that. Here's one:

4. We are also seeing a renaissance in translated books and books from around the world. From publishers like Peirene and And Other Stories.

5. Just this week we have seen Paypal and Smashwords embroiled in a controversy about censorship that reminds us even those with access to technology and books do not have access to everything that is written. What "books" mean in one country or to one group might mean something very different elsewhere.

6. We are not just divided by geography, as this shows. We are divided by morality, but also by class and ideology. I am currently reading Owen Jones' Chavs, which reminds us how real the class divide is. What does this have to do with books? Well, I've written about the way the publishing industry is a self-perpetuating bubble. It keeps some on the outside with the vicious circle of marketing logic - they don't publish things by people in certain groups because there's no evidence there's a readership - but as long as nothing is published, there can be no evidence either way, so some remain permanently excluded. Though self-publishing may act to prove these markets - which can only be a good thing.

7. Books are not traditionally made by everyone - they are produced by publishers. Yet stories are created by andbelong to everyone. Is the divide between these two really only about "quality", whatever that means?

8. As well as World Book Day, there is World Book Night on April 23rd. This is ostensibly about bringing more people to reading. But is it really about that or is it about bringing more or even more of the same authors to the public?

9. Why do we care about books? I do, but I often wonder why. What is it about them? Personal nostalgia? Social and economic usefulness? Enjoyment? Establishing one's place in the nexus of interconnected collective myths? Because we are told they are a good thing? Learning for learning's sake? I don't know, but I do know we don't ask this fundamental question enough, but take the value of books as an axiom.

10. Let me recommend a book from a different world from me. It's The Bacchae, by Euripides. It was written in a different language from mine, two and a half thousand years ago, but when I read it it feels like the author had lifted the skin off our society and stared at its DNA. If it were written tomorrow, it would still feel modern. It is a study of mass violence, crowd psychology, jealousy and discrimination, and it is a masterpiece.

Wednesday, 15 June 2011

Has Amazon declared war on the indies?

(And could that be the best thing that ever happened to us?)

So – hands up who calls themselves an indie? Hands up if you’ve enjoyed selling on Kindle? And hands up if you think you’ve got less lazy since you started selling on Kindle? I don’t mean time lazy, I mean idea lazy.

Still with me?

OK, I’ll start. Today sees the end of Amazon’s Sunshine Deals summer reading extravaganza, and for many indie authors it can’t come a day too soon. The effect on those of us tenuously in the top 100 has been devastating. Sales have tanked (from around 120 a day to 40 a day in my case) as ultra-cheap books by established authors have demonstrated that readers’ love of all things indie actually referred to price not content. And they’ll be with us for a while to come now they’ve worked into the recommendation algorithm.

But that’s not the most worrying development. The US forum moderators kicked all promotion threads into a “Meet Our Authors” forum, and today it seems at least two global changes have kicked in. The “insert product link” button no longer lists books, so you have to manually type in/paste a live link to a book, and the brackets many of us used after our book titles have all disappeared.

Those were two of the indies’ biggest marketing tools – the former offering readers simplicity, the latter being an attention grabber. These changes affect everyone in theory, but in practice impact the indies most.

So this is war on the indies, right? Well, quite possibly. Almost certainly Amazon is clearing the way for its own publishing programme.

But so what? I’m an indie. I’ve been saying for a while I think we’ve seen a change in what that means as more and more people with mainstream genre books have “gone indie”, meaning they’ve self-published, usually through Kindle. Heck, I’ve had a genre book in the top 100 bestsellers for almost 3 weeks. But for me whilst that’s great, and it’s been a financial lifeline at an incredibly difficult time on a personal level, it has nothing to do with REALLY being indie. I argued in April that the real winners on Kindle would be prolific midlisters who built a fanbase and didn’t rely on market vagaries – they would successfully replace the modest-income-addition they’d lost as publishers dropped their modest-income-addition-generating midlist.

For me being an indie is about freedom. It’s about writing the books you want, no, the books you *have* to write, and then being free to put them out in the world. They can be genre books or the most obscure experimentation, but the point is you didn’t put them there to make money, you did it because it mattered to do it your way, and to find your own readers, and get to know them and interact, and be less faceless than a regular author. Being indie is about individuality and community all rolled into one.

Which brings me back to my initial questions. It’s been too easy to make sales as an “indie” on Kindle. Lots of people spent lots of time on Amazon forums (yeah, me too) posting links to their books. They spent more time marketing than ever before, and with real success, and thought that was the key. Sound familiar, not just on a personal level but in terms of Business Studies 101? Yeah, of course it does. It’s the blinkered behaviour that’s characterised every bubble since time began – find a surefire way that works and stop looking for an alternative. Then wail and rend clothes when that surefire way vanishes.

Of course not everyone who Kindled their books was like that. The forums are filled with people who’ve used them to build a genuine relationship, Kevin Kelly style (I’ve said time and again the past two years how weird it is people stopped talking 1000 true fans – the reason’s simple: 1000 true fans isn’t easy. It seemed ersatz. It wasn’t). And people who do other stuff as well. They’ll be the ones who ride out the storm, because the readers will follow them.

And what of people like me, and the rag tag bunch of us at Year Zero and eight cuts gallery for whom indie is an ethos not a business strategy? Well, I’ll carry on doing live shows, weird online exhibitions, sharing recipes, and looking for weird and wonderful ways to bring what I write to people who don’t know about it. I’ll thank Amazon for the kick up the backside and warning not to get complacent (as well as for the sales whilst they were there of course). I’ll remind myself every day of what matters about writing, and culture as a whole. And I have to say I’ll rather enjoy the fact that very soon it’ll stop being cool to be indie. It’s made me a bit hot under the collar flyingthat close to the mainstream sun.

And at teh risk of sounding like a "take your medicine" parent, it'll do indie writers in general a power of good. The real indie writers. Those who've succeeded on Kindle because they engaged with readers will carry on succeeding. For everyone else the end of a cash cow may eb what's needed to get them doing it right and non-lazily before they learn bad habits.

Oh, and here are my books :)

Black Heart High
The Company of Fellows
The Man Who Painted Agnieszka's Shoes
Songs from the Other Side of the Wall
(life:) razorblades included