Sunday 21 October 2012

all of these taxonomies are political

 

Click the image above or click here to download your free copy of all these taxonomies are political, or visit the book's smashwords page for a free copy in all ebook formats. 

This book is an examination of the depth to which the associations we make are hard-wired into us, and the lengths to which we are pushed if we want to free ourselves of these associations. It puts the question whether we can tunnel so deep inside the constructs that constitute our world, surround ourselves and familiarise ourselves with them so much that they become first banal, then meaningless, then empty, and finally receptacles for our own making of the world anew.

That is to say, it puts the question of the possibility of hope.

 I have chosen the limerick format because to many early twenty first century readers in the Anglophone world it is both the most familiar form and that whose association, of jaunty rhythm and glib content, is the one we recognise the most easily. It is, therefore, our perfect Virgil to lead us through the Underworld of ever deepening assumptions of necessary connection that are increasingly hidden from us, where our consciousness of their necessity is increasingly fixed and increasingly false. Associations that include but are not restricted to (and come without orer in any sense):
Rhythm/mood Words/meaning
People/bodies
Genitalia/gender
Ordering/ordering – that is, Positioning/hierarchy
A list/the completeness of that list in the mind of its compiler
What is written/its susceptibility to a Freudian reading

This is a free version of the book, because I believe that, as art designed to widen the boundaries of culture, no one should be barred from reading it. If you can afford, and if you consider such art and literature important, any donation you are able to make wil give me the time to keep writing. You can donate by Paypal to sonsfromtheothersideofthewall@googlemail.com Thank you.

These limericks are designed to be read aloud or sounded out in the reader’s head

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