Wednesday, 11 August 2010

Tight

Robert James Russell (aka @robhollywood ) is an inspiring writer, and the newest member of Year Zero Writers. He has just finished taking in the submissions for a fascinating project, unambiguously titled "Sex Scene Anthology". Contributors had to submit a sex scene, disconnected from any context, and preferably not lifted from a longer work, but compiled specifically for this anthology. What's so intriguing is how difficult it is to decontextualise in this way (which, in turn, casts some fascinating light on the (dis)integration of sex in human life), so many of us have ended up creating more of a short story than a scen. Me included, I'm afraid. This is it.

Decided content warning (and not just for erotic content - severely transgressive material)!!!


Her skin’s so tight, I think as she leans on the sideboard with a juice. Stretched on her like a canvas.

I’d paint her with my cum.

I thought the same the first time she showed up in that half shirt, slapped The Birth of Tragedy on the table and said, “So, for Nietzsche, you’re the man.”

The man. The fucking ubermensch all uber those tight fucking tits.

“I guess,” I said, and our Wednesday night ritual began. Tammy got Nietzsche 101. Sarah got a babysitter and the comfort of some father time for Alice while she yogalatesed away her pregnancy fat. And I. I got to score the taut contours of Tammy’s skin on my cortex, storing it away till she left and I sat, still stiff, and closed my eyes, and imagined it on my fingers. On my cock.

We talked about the ubermensch and Tammy said the idea of a superMAN is just ridiculous, everyone knows a man’s will is in his willy and I thought she’s got a point but damn those tits are so fucking pert.

We talked aesthetics and the pursuit of pleasure and by our fifth session we got to wine, and how to blend the senses and how to separate the senses, and I said let me show you, and got out a bottle of ’47 Cheval Blanc and rested it in the cradle of my corkscrew, slowly cranked the angle, and lowered the screw into place, cutting with delicacy and precision to disturb nothing, and let the wine rest and brought her two glasses, and made her drink the first with her eyes closed and said, describe the difference between these different wines.

Two weeks later she caught my glance and she looked straight back and now she says wait here, and I wait and I can feel my body going into contractions each one pushing my cock harder against the cloth and the door opens and she says, watch, and I start to touch myself and she says no, later, separation of the senses, and walks across the room, my eyes following the path of her tits tight beneath her top, and she removes my clothes one by one, and stands and takes off her stockings and ties one around each of my arms, holding me cruciform to the sofa.

She repeats, watch, and I watch her fingers, and I watch her clothes, and I watch her skin, and when she removes the final pieces of lace the contractions through my body are so strong they lift my spine right off the sofa, and I watch the tips of her fingers and the deft circles she makes, and only one finger from the other hand sliding in and my whole body echoes the thought, how fucking tight, and when her body shakes in orgasm there’s not a sound and she leaves a finger, slowly swirling on herself and says, OK, separation of senses, and stands and picks up my shirt and twists it into a rope and walks over there’s one last sight of her tits closing in on my face and I open my mouth, and she leans over and I go blind and feel the pressure on my skull, and then something smooth, and firm, and tight.

See, she says, laughing because see is the one thing I don’t do but fuck I can feel it, and I strain upwards.

One more moment, she says, and there’s nothing, and I wonder if I hear the sound of her footsteps but I can’t be sure and my mouth’s open and my body’s spasming, again and again, and finally, I hear her say, OK, and there are her tits again, circling on my face, a nipple stopping and lingering against my outstretched tongue, and she repeats, OK, and says, now

and lowers her cunt onto me and it’s so fucking tight I explode before she’s fully down, and this time I hear her scream as well, and she sits there, massaging me gently with her cunt till the last ripple has subsided.

There, she says, the pursuit of pleasure, then there’s only the sound of our breathing and she raises herself off me, and there’s silence, and maybe the sound of cloth, and slowly the thought creeps in like a toothache.

What have I done.

As if she reads my mind she says “It’s OK, no one will ever know I was here.”

“Are you sure?”

“Of course I’m sure,” she says calmly, and I feel her untie my hands.

“Sarah,” I say.

“I know, she’ll be back any minute.”

I pull my shirt from my face and she’s in the doorway and she smiles, and slowly pulls up her skirt and I see her cunt glistening at me. “Always remember tonight,” she says, holding it there and I set my brain to burn the image in my hard drive, and she flattens her skirt down and smiles again, and I look around and

Oh Jesus fuck.

Alice, I think, seeing the swaddling on the floor, and her small, pale feet. “You let Alice see that?” I say, and she’s motionless.

And then I see the wine cradle, the metal of the screw stained dark. “You’ve been drinking my goddamn wine?”

Guilt. And anger.

I look again. Not just liquid. Deep, coagulated drops, and something. Not cork. Something.

Stickier. Messier.

Alice. Motionless. Alice’s head peeking out from the cloth. A dark, coagulated stain. Something sticky seeping from the top of Alice’s head.

The metal of the wine screw dark.

My balls still aching.

“Like I told you,” says Tammy from the door, “no one will ever know I was ever here.”

5 comments:

  1. Well, gulps, that is pretty raw. Love the way its written. My fave para: 'We talked aesthetics and the pursuit of pleasure and by our fifth session we got to wine, and how to blend the senses and how to separate the senses, and I said let me show you, and got out a bottle of ’47 Cheval Blanc and rested it in the cradle of my corkscrew, slowly cranked the angle, and lowered the screw into place, cutting with delicacy and precision to disturb nothing, and let the wine rest and brought her two glasses, and made her drink the first with her eyes closed and said, describe the difference between these different wines.' That's what I call S.E.X.
    Pen

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  2. Glad you liked that - it felt a bit false because at first I only had it so as to introduce the wine opening device - but then all kinds of parallels about blind tastings and sensuality sprung to mind

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  3. Dan, that is a seriously incredible. I don't know whether to be honored to be in the same collection with you or intimidated. ;)

    Fantastic, as usual. You took my breath away with this one.

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  4. love this, Dan, just LOVE it

    I only know one other writer who can write about sex as well as you do, but damn it man, you are the KING

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  5. gosh. I remember Anne (L-G) once told me I ought to try writing erotica. It's been an interesting experiment but I'm not sure about any more than that. For me, Remittance Girl is the undisputed champ

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